LocalNavy433 Photography

Hello, and how the hell are you? If this is your first time here, thanks for stopping by. In this blog, we’re going to talk about how mirrorless cameras are superior in almost every technical way—but does that make them the best for the shooting experience?

I’ve shot with a lot of mirrorless cameras over the years, and yes, they completely outclass DSLRs when it comes to features and performance. So why in the world would anyone still choose a DSLR in this digital age? It comes down to one major reason—the shooting experience.

Mirrorless Cameras: The Digital Kings

The fact that I even have to justify why someone would shoot with a DSLR says a lot about how people view both formats. Yes, mirrorless cameras offer faster autofocus, real-time exposure previews, and an effortless shooting experience.

After using mirrorless systems for a while, I loved the results. The ability to take an insane number of shots on location was a game-changer. My productivity skyrocketed, and I tripled my number of keeper shots. The AI autofocus in newer systems even predicts the subject before you press the shutter. Some models are even capturing frames before you fully press the button.

So Why Choose a DSLR?

If mirrorless is so good, why do I (and many others) still reach for an “outdated” DSLR—or even a film camera? It’s about the connection to the art.

DSLRs and film cameras force you to slow down and truly engage with the photography process. Unlike mirrorless cameras, where the digital screen shows you a processed version of the shot, an optical viewfinder shows you exactly what the light is giving you. Your vision, not a computer’s, determines how the final image looks.

This slower, more intentional process is what many photographers are craving right now. It’s not just about getting a “keeper” shot—it’s about refining an image from start to finish, being fully in control rather than relying on automation.

My Journey Back to DSLR

Over the past four years, I’ve been shifting back to DSLRs. I started with entry-level models like the Nikon D3000 and Canon Rebel T6, which taught me the fundamentals. Recently, I switched to the Nikon D5300—not because it’s the best DSLR, but because it gives me exactly what I need: shutter speed, aperture, and ISO control.

Shooting with older DSLRs has also given my images a more filmic character. The grain from higher ISOs reminds me of shooting on film, adding texture that feels organic rather than overly processed. Even with Canon’s DSLRs, I still felt too disconnected from my images. With Nikon’s metering system, I feel like I’m back in full control.

Reconnecting with Photography

Now, I’m shooting with the optical viewfinder again, not live view. The only time I use live view is for manual focusing landscapes—because, let’s be real, my eyes aren’t what they used to be. I shoot more handheld, embrace the grain, and even use filters to bloom highlights for a retro, straight-out-of-camera look.

A DSLR forces you to work for your images. It makes you think, plan, and be intentional. At the end of the day, do you want a computer dictating how your photos turn out? Or do you want full creative control?

For me, I’ll take the latter every time.

Enjoy from St. Johns, AZ, y’all!

Are you team DSLR or team mirrorless? Let’s talk about it!